{"id":72,"date":"2010-07-20T18:56:26","date_gmt":"2010-07-21T01:56:26","guid":{"rendered":"http:\/\/risabg.com\/blog\/"},"modified":"2014-07-24T21:59:49","modified_gmt":"2014-07-25T04:59:49","slug":"directing-resume","status":"publish","type":"page","link":"https:\/\/risabg.com\/blog\/directing\/directing-resume\/","title":{"rendered":"Risa Bramon Garcia, Director {R\u00e9sum\u00e9}"},"content":{"rendered":"<p>You can also download this R\u00e9sum\u00e9. \u00a0<a href=\"http:\/\/risabg.com\/blog\/wp-content\/uploads\/2010\/07\/RBG-DIRECTING-Resum\u00e9-8_2011.pdf\">Click here to download as PDF.<\/a><\/p>\n<p style=\"text-align: center;\"><strong>Risa Bramon Garcia,\u00a0<\/strong><strong>Director<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>DGA\/DGC<\/strong><\/p>\n<p style=\"text-align: center;\"><strong><em><a title=\"Risa Bramon Garcia, IMDB\" href=\"http:\/\/www.imdb.com\/name\/nm0305405\/\" target=\"_blank\">Risa on IMDB<\/a><\/em><\/strong><\/p>\n<p><strong><span style=\"text-decoration: underline;\">FEATURE FILM<\/span><\/strong><\/p>\n<p>THE CON ARTIST \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Myriad Pictures\/Maple Pictures\/Telefilm Canada<\/p>\n<p>200 CIGARETTES \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Paramount Pictures\/Lakeshore\/MTV Films\/Dogstar<\/p>\n<p><strong><span style=\"text-decoration: underline;\">TELEVISION<\/span><\/strong><\/p>\n<p>THE TWILIGHT ZONE (multiple episodes &amp; wrap arounds) \u00a0 \u00a0 \u00a0New Line Television\/UPN<\/p>\n<p>LIFE STORIES: A DEADLY SECRET* \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 HBO \u00a0 \u00a0 *1994\u00a0<em>Cable Ace Award Nomination<\/em><\/p>\n<p>THE HIDDEN ROOM: THE ROGUE IN THE BATHROOM \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Lifetime TV\/Chesler Perlmutter Prods<\/p>\n<p>BETWEEN CARS \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Comedy Central<\/p>\n<p><strong><span style=\"text-decoration: underline;\">THEATRE<\/span> <\/strong><\/p>\n<p><em>Member Ensemble Studio Theatre since 1981<\/em><\/p>\n<p>(Selected credits \u2013 All original productions except where indicated**)<\/p>\n<p>AFFECTIONS OF AN ALLEYCAT by Wil Calhoun \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Act One Festival\/Showtime (LA)<\/p>\n<p>CALL IT CLOVER by Wil Calhoun \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0Act One Festival\/Showtime<\/p>\n<p>A DEAD MAN\u2019S APARTMENT by Edward Allan Baker \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Act One Festival\/Showtime<\/p>\n<p>DICE AND CARDS by Sam Kass \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Act One Festival\/Showtime<\/p>\n<p>FOUR MONOLOGUES by Jon Robin Baitz \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Naked at the Coast, Naked Angels (LA)<\/p>\n<p>JENNY KEEPS TALKING by Richard Greenberg \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Manhattan Theatre Club (NYC)<\/p>\n<p>JERSEY CITY by Wendy Hammond \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Second Stage (NYC)<\/p>\n<p>FACE DIVIDED by Edward Allan Baker \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0E.S.T. One-Act Marathon (NYC)<\/p>\n<p>SOMETHING ABOUT BASEBALL by John Quincy Long \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 E.S.T. One-Act Marathon<\/p>\n<p>HOUSE ARREST by Bill Bozzone \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Ensemble Studio Theatre<\/p>\n<p>LADY OF FADIMA by Edward Allan Baker \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0E.S.T. One-Act Marathon<\/p>\n<p>DIVISION STREET** by Steve Tesich \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Second Stage<\/p>\n<p>ROSE COTTAGES by Bill Bozzone \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Ensemble Studio Theatre<\/p>\n<p>COMIC DIALOGUE by Alan Zweibel \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0E.S.T. One-Act Marathon<\/p>\n<p>DOLORES by Edward Allen Baker \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 E.S.T. One-Act Marathon<\/p>\n<p>NORTH OF PROVIDENCE by Edward Allan Baker \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0E.S.T. One-Act Marathon<\/p>\n<p>BETWEEN CARS by Alan Zweibel \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 E.S.T. One-Act Marathon<\/p>\n<p>SAXOPHONE MUSIC by Bill Bozzone \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0E.S.T. One-Act Marathon<\/p>\n<p>TOUCH BLACK by Bill Bozzone \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 E.S.T. One-Act Marathon<\/p>\n<p>DOWN THE TUBES by Brian McConnachie \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 E.S.T. One-Act Marathon<\/p>\n<p>GRAY SPADES by Bill O\u2019Neill \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Ensemble Studio Theatre<\/p>\n<p>GEOGRAPHY OF A HORSE DREAMER** by Sam Shepard \u00a0 \u00a0 \u00a0 \u00a0Ensemble Studio Theatre<\/p>\n<p>PRAIRIE AVENUE by Edward Allan Baker \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Ensemble Studio Theatre<\/p>\n<p><strong>Management: \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<strong>Direct contact:<\/strong><\/strong><br \/>\nPerry Zimel \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"mailto:Risa@risabg.com\">Risa@risabg.com<\/a><br \/>\nOscars Abrams Zimel and Associates \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 818-755-9500<br \/>\n<a href=\"mailto:Perry@oazinc.com\">Perry@oazinc.com<\/a><br \/>\n416-860-1790<\/p>\n<h4><em><a title=\"Risa Bramon Garcia, IMDB\" href=\"http:\/\/www.imdb.com\/name\/nm0305405\/\" target=\"_blank\">Risa on IMDB<\/a><\/em><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>You can also download this R\u00e9sum\u00e9. \u00a0Click here to download as PDF. Risa Bramon Garcia,\u00a0Director DGA\/DGC Risa on IMDB FEATURE FILM THE CON ARTIST \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Myriad Pictures\/Maple Pictures\/Telefilm Canada 200 CIGARETTES \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":61,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-72","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/risabg.com\/blog\/wp-json\/wp\/v2\/pages\/72","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/risabg.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/risabg.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/risabg.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/risabg.com\/blog\/wp-json\/wp\/v2\/comments?post=72"}],"version-history":[{"count":111,"href":"https:\/\/risabg.com\/blog\/wp-json\/wp\/v2\/pages\/72\/revisions"}],"predecessor-version":[{"id":3877,"href":"https:\/\/risabg.com\/blog\/wp-json\/wp\/v2\/pages\/72\/revisions\/3877"}],"up":[{"embeddable":true,"href":"https:\/\/risabg.com\/blog\/wp-json\/wp\/v2\/pages\/61"}],"wp:attachment":[{"href":"https:\/\/risabg.com\/blog\/wp-json\/wp\/v2\/media?parent=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}